Tuesday, March 29, 2011
Susan's Helping Hand
Sunday, March 27, 2011
Where is Susan?
Bus Ride in Brittany
Saturday, March 26, 2011
Fourpenny Fair Cover
When I reviewed Fourpenny Fair a few weeks ago, I posted only a small picture of the cover at an angle, so here is a high resolution scan. Here we can see Penny at the fair with Sid the little orphan boy. Penny is dressed in a suit of armor and walking around the fair to advertise the play that the boys from the orphanage are putting on. This scene is the best in the book and one of the best written in the whole Penny series. The review can be read at: http://wichwoodvillage.blogspot.com/2011/02/fourpenny-fair.html |
Crooks Tour
Friday, March 25, 2011
Bernese Adventure
Jumble Sale
Tuesday, March 22, 2011
The Moochers
Thursday, March 17, 2011
My Latest Acquisitions
Wednesday, March 16, 2011
Amanda's Spies
A photo of Loch Ard. Hard to imagine Nazi spies around here!
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Locations
A List of Jane Shaw's novels according to location:
SCOTLAND:
Arran
Highland Holiday - Collins 1942
Penny Foolish - Nelson, 1953
Susan Muddles Through - Collins, 1960
Connel Ferry
The House of the Glimmering Light - Collins, 1943
Loch Lomond
The Crew of the Belinda - Collins, 1945
ENGLAND:
Dulwich, as Wichwood Village
Susan Pulls the Strings - Collins, 1952
Susan Rushes In - Collins, 1956
No Trouble for Susan - Collins, 1962
A Job for Susan, Collins, 1969
Kent
Susan's Helping Hand - Collins, 1955
Susan at School - Collins, 1958
Willow Green Mystery - Nelson, 1958
Susan's Trying Term - Collins, 1968
New House at Northmead - Nelson, 1961
Northmead Nuisance - Nelson, 1963
as Jean Bell - Paddy Turns Detective - Collins pbk, 1967
Bath:
Threepenny Bit - Nelson, 1955
Fourpenny Fair - Nelson, 1956
Crooked Sixpence - Nelson, 1958
Cornwall:
The Moochers - Lutterworth, 1950
(as Jean Bell) - The Penhallow Mystery, pbk 1967
FRANCE:
Brittany
Breton Holiday (reissued as Breton Adventure) - Collins, 1939
The Moochers Abroad - Lutterworth, 1951
Twopence Coloured - Nelson, 1954
Susan's Kind Heart - Collins, 1965
Paris
Looking after Thomas - Nelson, 1957
Crooks Tour - Collins, 1962
Anything Can Happen - Nelson, 1964
The Alps
Grindelwald/Interlaken
Bernese Holiday (reissued as Bernese Adventure) - Collins, 1940
The Tall Man - Nelson, 1960
Crooks Tour - Collins, 1962
Lucerne
Susan Interferes - Collins, 1957
Innsbruck/Austria
Fivepenny Mystery - Nelson, 1958
ITALY
Venice
Where is Susan? - Collins, 1968
SOUTH AFRICA
Venture to South Africa - Nelson, 1960
Nothing Happened After All - Nelson, 1965
SCOTLAND:
Arran
Highland Holiday - Collins 1942
Penny Foolish - Nelson, 1953
Susan Muddles Through - Collins, 1960
Connel Ferry
The House of the Glimmering Light - Collins, 1943
Loch Lomond
The Crew of the Belinda - Collins, 1945
ENGLAND:
Dulwich, as Wichwood Village
Susan Pulls the Strings - Collins, 1952
Susan Rushes In - Collins, 1956
No Trouble for Susan - Collins, 1962
A Job for Susan, Collins, 1969
Kent
Susan's Helping Hand - Collins, 1955
Susan at School - Collins, 1958
Willow Green Mystery - Nelson, 1958
Susan's Trying Term - Collins, 1968
New House at Northmead - Nelson, 1961
Northmead Nuisance - Nelson, 1963
as Jean Bell - Paddy Turns Detective - Collins pbk, 1967
Bath:
Threepenny Bit - Nelson, 1955
Fourpenny Fair - Nelson, 1956
Crooked Sixpence - Nelson, 1958
Cornwall:
The Moochers - Lutterworth, 1950
(as Jean Bell) - The Penhallow Mystery, pbk 1967
FRANCE:
Brittany
Breton Holiday (reissued as Breton Adventure) - Collins, 1939
The Moochers Abroad - Lutterworth, 1951
Twopence Coloured - Nelson, 1954
Susan's Kind Heart - Collins, 1965
Paris
Looking after Thomas - Nelson, 1957
Crooks Tour - Collins, 1962
Anything Can Happen - Nelson, 1964
The Alps
Grindelwald/Interlaken
Bernese Holiday (reissued as Bernese Adventure) - Collins, 1940
The Tall Man - Nelson, 1960
Crooks Tour - Collins, 1962
Lucerne
Susan Interferes - Collins, 1957
Innsbruck/Austria
Fivepenny Mystery - Nelson, 1958
ITALY
Venice
Where is Susan? - Collins, 1968
SOUTH AFRICA
Venture to South Africa - Nelson, 1960
Nothing Happened After All - Nelson, 1965
Sunday, March 13, 2011
The Adventures of a Snowman
Friday, March 11, 2011
LIST OF SHORT STORIES BY JANE SHAW
Listed below is every known short story by Jane Shaw that was published in Collins annuals (and often reprinted in later annuals or compendiums), with their dates of publication when available.
GRISELDA AND THE RAIN FAIRIES (Treasure Book for Boys and Girls, Collins, undated)
STORIES FOR COLLINS GIRLS’ ANNUAL
AMANDA’S SPIES (Collins Girls’ Annual, 1941)
SARA’S ADVENTURE (Collins Girls’ Annual, 1953; reprinted in The Crackerjack Book for Girls, Collins, 1959)
THE ADVENTURES OF A SNOWMAN (Collins Girls’ Annual, 1954; reprinted in The Crackerjack Book for Girls, Collins, 1959). This is the only short story for older readers on this list that is not included in Susan and Friends: The Jane Shaw Companion (Bettany Press, 2002).
THE WILSONS WON’T MIND (Collins Girls’ Annual, 1955; reprinted in The Treasure Book for Girls, Collins, 1958, and Ballet Stories, edited by Ian Woodward, 1982). This is the first of four short stories featuring Susan that were published between 1955 and 1960).
SUSAN’S SCHOOL PLAY (Collins Girls’ Annual, 1957; reprinted in The Crackerjack Girls Own Book, Collins, undated)
SUSAN AND THE HOME-MADE BOMB (Collins Girls’ Annual, 1958)
THE MATCHMAKERS (Collins Girls’ Annual, 1959). This is the only short story set in South Africa.
SUSAN AND THE SPAE-WIFE (Collins Girls’ Annual, 1960). Set on Arran, where the author and her husband would later retire in 1978, this is the last of the short stories to feature Susan.
FAMILY TROUBLE (Collins Girls’ Annual, 1961)
CROOKS LIMITED (Collins Girls’ Annual, 1962). This is the only other story featuring Ricky, Julie and Fay, from Crooks Tour, and the only Jane Shaw story set entirely in her native Glasgow.
JUMBLE SALE (Collins Girls’ Annual, 1963)
THE PICTURE (Susan and Friends: The Jane Shaw Companion). This story was found among the author’s papers after her death. Exactly when it was written cannot be established. It is set in Paris and, similar to a scene from Crooks Tour, there are references to Utrillo and a woman struggling to run a restaurant frequented by starving artists, suggesting that it could have been written in the early sixties. The main protagonists are two older English girls, Carol and the unnamed narrator. It is not possible to say whether this book was actually intended for a Collins annual, but since it shares the romantic theme introduced into FAMILY TROUBLE, it has been included in this list.
A GIRL WITH IDEAS (Susan and Friends: The Jane Shaw Companion). More a novella than a short story, this work started life as ADVENTURES OF A MOUSE. The ideas from that story were then expanded to form A GIRL WITH IDEAS. Jane Shaw’s correspondence shows that the story was written at the behest of Collins, beginning in the mid sixties. However, it only appeared in print in Susan and Friends in 2002.
STORIES FOR VERY YOUNG CHILDREN
The exact publication dates of these stories cannot be determined, but they appeared in various Collins Children’s Annuals.
ALADDIN’S LAMP GROWS OLD
THE GIANT’S WASHING (a Griselda story)
TIGER KITTEN
THE MAGIC BASKET (a Griselda story)
THE CAT’S GRANDMOTHER (a Griselda story)
GRISELDA AND THE GOBLIN
GRISELDA AND THE BABY ELF
THE ONION MAN
THE CAT AND THE CABIN BOY (Treasure Trove for Boys and Girls, Collins, undated)
THE DOG WHO COULDN'T LEARN TRICKS (Treasure Box for Boys and Girls, Collins, undated)
THE LONELY GIANT (Treasure Book for Boys and Girls, Collins, undated)
VISITING A FAIRY (My Book of Elves and Fairies, Collins, undated)
THE TALE OF THREE PUPPIES (Five Listen With Mother Tales Number 6, BBC Books, undated)
STORIES FOR LUTTERWORTH
The author noted that five of her stories were sold to Lutterworth Press in 1950 and 1951. As far as can be determined, the stories remained unpublished.
A PONY OF YOUR OWN (sold on 10 March, 1950)
NO ROBBERY (sold on 10 March, 1950)
I RODE WITH THE COVENANTERS (sold on 17 August, 1950)
MERE AND MOORLAND (sold in January, 1951)
HEATHER MIXTURE (sold in December, 1951)
STORIES FOR DIE BRANDWAG
Die Brandwag was an Afrikaans newspaper that purchased six of Jane Shaw’s short stories and translated them into Afrikaans for publication. Only one story (Die Man Langsaan) is known to have been published, as a clipping of it was found among the author’s papers.
THE MAN NEXT DOOR (Die Man Langsaan, 10 December, 1954)
THE MATCHMAKERS
BIRTHDAY
PATCHWORK QUILT
TWO’S COMPANY
THE QUARRELTuesday, March 8, 2011
Family Trouble (1961)
In addition to the romantic theme, there is a typical Jane Shaw mystery afoot. Little sister Tubs excitedly tells her family that the police are on the lookout for an escaped convict from Dartmoor.
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On the way to the local carnival, Nicky, dressed as a witch, bumps into her other little sister Ruth, who is dressed up as a Christmas cracker!
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Nicky and her sisters have captured the convict. Or have they? |
There has to be a happy ending for Nicky in her only appearance in a Jane Shaw story. A pity we never see her again. The family had potential...
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Monday, March 7, 2011
Book of the Week: Breton Adventure
BRETON ADVENTURE
When I first put pen to paper about Breton Adventure, I was, to put it mildly, less than complimentary. Although it is Jane Shaw’s first book, it was the fourteenth one that I read. After enjoying Crooks Tour, the whole Susan series and a number of short stories, with their over the top Scottish heroines and fast-paced action, I wasn’t prepared for what lay in store when I opened the first Caroline and Sara book. Yes, there are the Scottish heroines, and yes, there is the madcap banter. But the pace…
The story starts off like many other Jane Shaw works. Caroline and her cousin Sara are going to spend two months in Brittany, and the purpose of this holiday is to improve their French. There is a mad taxi ride from St. Brieuc to the sleepy village of St. Brioc, where the girls will stay at the home of Madame de St. Brioc, with whom Sara’s mother had attended school in Switzerland years before.
However, once they arrive, the story really slows down. They unpack, bickering all the way, and then go down to dinner and mull over the food. A series of typical holiday events then follows. They go to the village to look at the shops, they go to the beach to swim, they have lunch, they meet people, they are surprised by the food and the people, unable to understand how the French can do without bacon and eggs at breakfast… And on it goes. A couple of new characters are brought in: Madame’s cousin Michel and her son Raymond; the large Duval family, who arrive at mealtimes and insist on kissing and shaking hands with everyone, which Caroline especially finds embarrassing. My first impression was that chunks of the book read more like a travel guide than a novel. And yet, on my second reading, I found myself being absorbed into this tranquil little world, just enjoying it and going with the flow.
There are a couple of nice excursions. First, they go on a visit to a battleship in the bay of St. Quay. Sara is befriended by a young sailor and ends up getting left behind when the boat takes the others back to shore, providing her with an opportunity to raid the ship’s pantries. On another day, they go shrimping on one of the little islands just visible from Madame’s home. They celebrate the fourteenth of July, the birthday of the French Republic. Sara causes havoc at a circus, leading to the escape of a performing chimp. She also loses her watch and offers a reward to the finder, resulting in Madame’s house being overrun by bounty hunters attempting to pass off old, broken watches as her lost treasure. And speaking of lost treasure, no Jane Shaw story would be complete without a heavy chest buried or hidden somewhere on Madame’s property that will solve all the family’s problems and get Raymond out of a boring life as a civil servant so that he can pursue his dreams. Will the girls find it? A purely rhetorical question!
The book has all the features that would later become Jane Shaw’s trademarks. The cousins are, like Susan and Ricky in later works, skivers when it comes to learning French. They don’t seem to improve very much and take every chance they get to speak English. The family they are staying with, despite having lots of property and farms, is described as being short of cash, and a little windfall, such as a chest of buried treasure, would do just the trick at this time. There is the occasional little ironic twist at the end of a chapter, such as when Sara spends a day shrimping and then forgets her catch on the beach. There are the meals and numerous stops for cakes, ices and cold drinks. And there is no romance. Readers might expect Raymond or Michel to fall for one of the girls, but it doesn’t happen. They all become friends and play tennis together and go out for the day, but it goes no further than that. Caroline and Sara, both sixteen years old, seem a little immature for their age.
My opinion of the book has changed a great deal over the last year. When I discovered that it was originally titled Breton Holiday, this made me look at it in a different light. The Adventure is a slightly abridged version. Perhaps due to the soaring cost of paper after World War II, the book was reissued in a shorter form and the publishers felt obliged to rename it, perhaps not giving the new name that much thought. But thinking of it as a Holiday rather than an Adventure does make a difference. It has been said by other reviewers that the weakness of the book is that it has no plot. This may be due to the fact that it is only in Chapter 6, while they are on their shrimping expedition, that Madame reveals the key aspects of her family history that will eventually lead to the treasure, leaving the reader for the first five chapters wondering where the story is going. There is also the fact that the family doesn’t seem particularly interested in the treasure. Maybe if these aspects had been reworked a little, the book would be more exciting.
Having said that, it is hard to see how tampering with the story in this way would make much of a difference since the mystery aspect of this story is really only of secondary importance. The main focus is on the girls and their holiday. Written in 1939, when only the very rich had a chance to travel, the simple fact of being set in France would have been enough to attract curious readers. Minor aspects of everyday life that are casually mentioned in the story provided children with some insight into other lands and their mysterious inhabitants, so near and yet so far away. Despite the hot weather, the native women of Brittany dress in black. We also discover other little details, especially about the food. For instance, despite their culinary talents and love of food, the French do not take afternoon tea. They also serve each dish separately at dinner time. In the 1930s and 1940s, such tidbits would be an exciting revelation to British children.
The stars of the book are not only Sara and Caroline, but Brittany itself. Jane Shaw had visited Binic (the model for St. Brioc) years before, and her loving and painstaking depiction of it and its inhabitants show that she was obviously deeply affected by this land, its coast and its mysterious islands. Rereading the story, I was happy to let the author guide me through this country and learn its ways. It’s also fun to watch the two cousins interact. Sara, short and bespectacled, is capable of an endless stream of talk and is constantly trying to get by without wearing her glasses, usually with disastrous consequences. Caroline is taller and thinner, and apparently more sensible, often embarrassed by Sara’s antics. They go well together, something like a female Laurel and Hardy, although sometimes I got the impression that some of Caroline’s lines would sound better coming from Sara. I clearly see in Sara the blueprint for Susan, while Caroline appears to be a composite of Charlotte and Midge. But the girls are also a great success in their own right, as can be testified to by generations of young readers, seeing that the pair remained popular right up to the 1960s.
I wouldn’t go as far as some reviewers who claim that Breton Holiday was Jane Shaw’s best work. It grows on you over time, but does not have the quality and more clearly defined characters of the Susan or Penny stories. Nevertheless, it is a fine debut from a very talented author. Sara and Caroline would go on to star in two more novels (Bernese Holiday, 1940; and Highland Holiday, 1942) and one short story (Sara’s Adventure, 1953). The focus of Jane Shaw’s writing would then shift to Susan and Penny. These characters, like their predecessors, would also visit Binic and have their own Breton adventures.
Friday, March 4, 2011
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